Amy Devitt
  • Home
  • About
  • CV and Resume
  • Publications
    • Books
    • Articles and Essays
    • Talks, Seminars, Workshops
    • Occasional Pieces
  • Genre-Colored Glasses

Genre-colored glasses

Thoughts on genre, language, grammar, and other
rhetorical and linguistic norms

TV Genres, part 2

9/19/2016

0 Comments

 
Picture
Game of Thrones, by Global Panorama, flickr
And the Emmy went to . . .
​
Following up on my Emmy preshow posted Sunday before the awards, where I speculated about whether the Emmy voters would prefer more traditional versions of a genre or vote for more innovative ones.
 
So which shows won Emmys in 2016? The more conventional versions of the genre, or the more innovative ones?
 
Here’s how they match up with my original ranking:
 
Comedy: Winner Veep
 
I ranked Veep high on the conventionality list, second only to Modern Family. I do think the show does the traditional sit-com, but it does it spectacularly well. And the Emmy voters seem to agree.
 
Julia Louis-Dreyfuss had one of the best genre comments of the whole Emmy broadcast (and references to genres were surprisingly common this year, I found as I was live-tweeting the show).
Veep has torn down the wall between comedy and politics. It started out as a political satire but now seems like a documentary”
Drama: Winner Game of Thrones
 
I ranked Game of Thrones as the least conventional drama, so score one for genre-busting (but more below)
 
According to Entertainment, Game of Thrones was the top winner in all awards, with 12 Emmys won. It has won 38 Emmys since its beginning, making it the show with the most awards ever. 
​
Reality-Competition: Winner The Voice
 
I considered The Voice the most conventional of the shows, hearkening back to old-time talent shows. I’m surprised by its beating out The Amazing Race, but maybe that show has run its course (pun intended).
 
Shows with the Most Wins
 
Another way to look at whether Emmy winners are more conventional or innovative is to look at which shows won the most awards of all kinds, not just the top in its overall category.
 
As I said, Game of Thrones is the big winner, this year and in history, with 12 trophies this year.
 
Next on the list is the Outstanding Limited Series The People v. O.J. Simpson: American Crime Story. It certainly deserved its many awards (but wow, what competition in that category, with the equally deserving American Crime and Fargo).
 
Then it drops down to Grease: Live, with 5 awards. Talk about your conventional show! An old-timey live broadcast of a Broadway show from 1971 and movie from 1978.
 
Genre-conventional or Genre-busting?
 
With Game of Thrones the big winner, it might seem that genre-busting wins hands down. And it does. But I noted the problem with the Drama category. “Drama” seems less important than the multiple other genres its shows represent. Game of Thrones fits clearly into the genre of fantasy. Based on a wildly popular series of books that are sold as fantasy, I don’t think people would first say, “Oh, there’s an unconventional drama.” Instead, they might say, “What a great fantasy series!”

As LJ commented in her tweet during the broadcast

@AmyDevitt1 Looking forward to it. Interesting to think about the categories and how limiting/outdated? they are for classifying the shows.

— LJ (@LJ_MI) September 19, 2016
​Drama is a category that is probably past due for a makeover, to make it a meaningful category for the people who use it. But it may take more time until other genres have enough representatives to have competition. Because these are, after all, award categories. Megan Faver Hardline noted the genre-busting of Tatiana Maslany winning lead actress for Orphan Black, a drama that busts out of drama and maybe even out of sci-fi--in the process busting the genre of the Emmy award itself

@AmyDevitt1 I think I would lean toward genre busting. When was the last time someone won for a sci-fi show?? #Emmys

— Megan Faver Hartline (@meganhartline) September 19, 2016
If only one fantasy, or one science fiction show, or one genre-buster rises to the top, then a loose catch-all category is needed.  But just needing a label doesn’t make drama a genuine genre, in this context. To be a genre, drama needs to do something.
 
The rising category of “Limited Series” complicates and helps this discussion. Those shows were among the best dramas of the year, if that term has any meaning, but they’re classified by the number of episodes rather than what they do.  In these days of streaming episodes, it might not matter much whether a program has 6 or 13 episodes. What matters more is that the limited series has a story arc that allows it to complete its action. American Crime even changes its setting, characters, and stories each year. Game of Thrones, as a drama series, just keeps keeping on--adding, killing, and even resurrecting its characters to keep its story going. If the label “drama” is to be a meaningful genre, let it be applied to the currently labeled Limited Series shows. Like classical dramas or Shakespearean plays, they tell a dramatic story and allow us resolution.

Interesting to play with what's conventional and what's innovative, a distinction harder to make than we might think. The most genre-busting programs  often turn out to be ones that  aren't genre-busting at all. They're just a different genre.

If you have 13 minutes, check out the youtube video of the Top 10 Out-of-Genre Episodes in TV series. How many of those out-of-genre moments are very much in-the-genre of a different genre?
0 Comments

TV Genres

9/18/2016

0 Comments

 
Picture
Retro B&W Ferguson TV, photo by Fiona Cullinan, flickr
Tonight is the Emmy awards, so how can I not write about the genre labels for classifying TV shows? Besides, I like TV (well, lots of it), and I always watch the Emmys. Yes, I confess it. So for the sake of a much-needed lighter topic this week, I risk your thinking less of me as a lover of the boob tube and idiot box.
 
Plus, even more than TV, I love watching the genres of television shift and change as the shows shift and change as our culture shifts and changes. New shows don’t quite fit existing categories, but they become popular and get good ratings, so then other shows imitate them to capitalize on their popularity. The emergence of new TV genres is about creative innovation, yes, and genre-busting. But it’s also about creative marketing and genre-copying.
 
I’ve seen it happen over and over again in my long TV-watching years. Reality shows start popping up, then the competition shows in particular start repeating, then the musical talent shows are everywhere, and next thing you know I’m hooked on The Voice and So You Think You Can Dance. I start watching this new show called Trading Spaces in 2001 and in 2016 I’m hooked on Flip or Flop, Fixer Upper, and Property Brothers, not to be confused with House Hunters, except that last night I discovered a show called House Hunters Renovation, combining both the house hunting series and the renovation series. What’s next? Probably a competitive talent show where young designers live in and renovate a house together by scrabbling over physical obstacles while sharing romantic moments in hot tubs with champagne before eliminating each other with snarky comments and black roses. Oh wait, how did The Bachelor get in there? 
Picture
Kim, Jayme Rae, Tara-Jean, Melanie, by Nicholas Ng flickr
Picture
Property Brothers Drew (left) and Jonathan Scott at the 2015 World Dog Awards, wikipedia.org
Picture
hot tub meerkats by Michelle Bender, flickr
How all that genre-mixing and emerging happens is complex, I’m sure, and too much for one post. Today, I’ll just get started on the genres of the Emmy Awards. The Emmys make those questions of genres all seem so simple—a show is a comedy, drama, or variety show. But they also reveal when a genre has emerged all the way into acceptability—reality/competition program was added in 2003.
 
In recent years, at least, the nominees for the Emmys have sometimes seemed like uncomfortable fits for their genres. Orange is the New Black is a comedy??!! But some shows may be pushing the boundaries of a genre, either changing our acceptance of what a comedy is or busting out into a new genre.
​
So here’s my own reality program for this week, with TV shows competing for successful renovation of a TV genre

Which shows will win an Emmy tonight—the ones that fit into their genres more conventionally? Or the ones that stretch the genre more?
Here are the rules: I’ll run through my own opinion of how conventional the shows nominated in each major genre are, and then I’ll compare with the results after the winners are announced. To keep from slanting it after the fact, I’ll post my opinions today, Sunday, before the winners are announced, and then update the post tomorrow with the results (the broadcast ends way too near my bedtime for me to write the follow-up post tonight). Feel free to play along with your own judgments of the nominees. I’m bound to get some things wrong, especially with shows I don’t watch consistently. 

And the nominees are:
Comedy
The 2016 nominees for outstanding Comedy series are
  • blackish
  • Master of None
  • Modern Family
  • Silicon Valley
  • Transparent
  • Unbreakable Kimmy Schmidt
  • Veep
 
Here’s how I’d rank them for conventionality, from most conventional to least:
  • Modern Family
  • Veep
  • Unbreakable Kimmy Schmidt
  • blackish
  • Silicon Valley
  • Master of None
  • Transparent
 
Modern Family is surely the most conventional but still very funny sit-com, with Veep (starring frequent comedy winner Julia Louis-Dreyfuss) and  Unbreakable Kimmy Schmidt (created by sit-com pro Tina Fey) close behind. Even though I’ve seen blackish described as an old-fashioned sit-com with contemporary awareness, I find it remarkably old-fashioned in everything but subject matter. I’d say Silicon Valley also has unconventional subject matter but plays with the genre, too. Master of None may fit as a simple comedy—Time magazine reviewed it as a “wistful TV romantic comedy”—but that “wistful” part twists the genre a bit. Transparent goes way beyond wistful all the way to comedy-drama. That series got a lot of attention for its controversial subject matter last year, but it’s also a bit genre-busting in its mix of comedy and drama. 

So what is a TV comedy? One that has laughs in it, presumably. You know, like Better Call Saul, the spinoff from Breaking Bad, starring the very funny actor Bob Odenkirk. But you may be way ahead of me--Better Caul Saul is a nominee for outstanding drama series, and Bob Odenkirk nominated for outstanding lead actor in a drama series.
Drama
What else is nominated for best drama series?
  • Better Call Saul
  • Downton Abbey
  • Game of Thrones
  • Homeland
  • House of Cards
  • Mr. Robot
  • The Americans
 
A comedy-drama, period soap opera mini-series, violent fantasy, political thriller, Shakespearean play, science fiction, and espionage thriller.
 
Those are my genre labels, of course, and any show can be labeled in multiple ways. But if “drama” can include such a wide range of shows, is it a meaningful genre? I’ve been known to say that a genre is anything that people say is a genre. If the people who use it, make it, read it, or watch it call it by a common category name, who am I to say it’s not a genre? But I’m not sure most TV fans would say Game of Thrones is a “drama.” More likely to call it a fantasy.  And everyone talks about Downton Abbey as a soap opera.

So ranking these nominees for how conventional a drama they are is especially tough, I think, since I don’t know what a drama is. But here goes—my ranking from most conventional drama series to least:
  • Homeland
  • Mr. Robot
  • The Americans
  • House of Cards
  • Downton Abbey
  • Better Call Saul
  • Game of Thrones
,All right, this could go on all day, and I wouldn't get my rankings posted before the Emmys begin. Since the other categories are subdivided by form (structured/unstructured reality programs; limited series/TV movie) or are genres I don't watch enough of the nominees in to judge (Variety series--talk or sketch), I'll try just one more category.

Reality-Competition
For me, the sharpest, most distinct genre in the awards categories is Reality-Competition Program. The nominees all fit that descriptive label, of being reality shows based on a competition:
  • American Ninja Warrior
  • Dancing with the Stars
  • Project Runway
  • The Amazing Race
  • The Voice
  • Top Chef
I don’t watch all of these and know some mostly by reputation (and by friends and family members who are big fans). So I’m probably not an especially good judge of the conventions of this genre.
 
My rankings for most conventional to least:
  • The Voice
  • Dancing with the Stars
  • Project Runway
  • Top Chef
  • The Amazing Race
  • American Ninja Warrior
 
I struggled with The Amazing Race in part because it largely created this genre, so I would expect it to be highly conventional, but it doesn’t seem to have as many direct copiers as others. The fact that it keeps winning the Emmy may indicate that it’s keeping the genre fresh. Or that it’s comfortingly predictable. Same for Project Runway, though its imitators now are many.
 
But it seems to me that this category is one ready to break into newly emerged genres. Surely Project Runway and Top Chef have more in common with each other than with The Amazing Race. And the old talent show genre seems reincarnated in The Voice and Dancing with the Stars. But I’m not sure where American Ninja Warrior comes from.
 
So there you have it--one person's rankings of the Emmy nominees from most conventional to least conventional. Which will win out tonight? Will convention trump innovation? Or will the newly expanded set of Emmy voters recognize artistic creativity? Or are they all pretty conventional shows, and the Emmys are just confirming what the powers-that-be in the entertainment industry prefer? 

As if you needed anything to make the Emmy broadcast even more exciting than it always is, I'll be tweeting from @AmyDevitt1 during the show. I'd love to hear what you think.

​Tune in for the results tomorrow.
Picture
And the Emmy goes to ... by Ryan McGilchrist, flickr
0 Comments

    Author
    ​Amy Devitt

    I'm a genre-lover and language nerd who likes to write about the fascinating effects of genres (like grocery lists, blogs, and greeting cards, as well as mysteries and romances) on how we read and write and even live our lives. I also notice grammar a lot, both the "proper" kind and the fun kind, like grammar jokes.  For more, read my post on "What I Notice." I write this blog weekly to point out what I see and in hopes that you will tell me what you see, too. 

      Would you like to be notified when I publish a new post?

    Subscribe to Newsletter

    This website uses marketing and tracking technologies. Opting out of this will opt you out of all cookies, except for those needed to run the website. Note that some products may not work as well without tracking cookies.

    Opt Out of Cookies

    Archives

    June 2021
    August 2020
    July 2020
    December 2019
    August 2019
    June 2019
    May 2019
    April 2019
    January 2019
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    August 2015

    Previous Posts

    All
    7 Words Not To Say
    Acceptance Speeches
    Acceptance Speech Formula
    Ads
    Alternative Truth
    Alternative Words
    Amy Schumer
    An Academic Learns To Blog
    Apologies
    April Fools' Day
    Bad Apologies
    Bad Public Apologies
    Basketball
    Birthdays
    Bits & Pieces
    Blogging
    Boxing Day
    Business As Usual
    Busted Brackets
    Can Words Kill?
    Categories
    Children's Genres
    Choosing A Response
    Commemorating 9/11
    Commencing Graduation
    Community
    Community And Genres
    Community And Quiet
    Condolences
    Distraction Genres
    Doing Hawaiian
    Email
    Essays
    Evils Done In The Name Of Categories
    Family Reunions
    Fandom
    Father's Day
    Flu
    Funeral
    Generic Responses
    Genre
    Genre In A Scholarly Way
    Genre Reactions
    Genres Are Us
    Genres Matter
    Genre Tripping
    Good (and Bad) Apologies
    Good Sentences
    Graduation
    Greetings
    Hallmark Christmas Movies
    Halloween
    Hearing Or Trial Or Brawl
    Hi Readers!
    Holiday Greeting Cards
    Holidays
    How To Birth A Blog
    How Words Reflect & Shape Us
    Hurricanes And US
    Inaugural Address
    Indigenous Music
    Insults
    It's A Genre
    It's What You Mean
    Jet Lagged
    Labor Day
    Labor Day Genres
    Language And Genre
    Libraries
    Library Genres
    Literary Genres
    Locker Room Talk
    Making Connections
    Mass Shootings
    Meaning
    Memorial Day
    Mom's Day Cards
    Mother's Day
    Music Genres And Innovations
    Native American Musicians
    Never Forget
    New Year
    Normalizing Hatred
    Once In A Lifetime
    Patient As Medical History
    POTUS Tweets
    Preparing For Solar Eclipse
    Presidents Day
    Pronouns
    Psychology-of-genre
    Retirement
    Rhetoric-matters
    Rhetoric Still Matters
    Scenes Of Writing
    Scholarly Writing
    Solar Eclipse
    Syllabus
    Thanks Giving
    Thank You
    They Becomes Official
    Top 6 New Year's Genres
    TV Genres
    TV Genres Part 2
    Twelve Genres Of Christmas
    Twitter
    Understand Genre In Two Pictures
    Vacation
    Vacation Post Card
    Veterans Day
    Visual Genres
    Vote
    What A Syllabus Does
    What Does Alt-right Mean
    What Is A Declaration?
    What I Write About
    What Voice Recognition Software Doesn't Recognize
    When I'm Sorry Doesn't Work
    Which English Language?
    Who Is Your "They"?
    Who Is Your "We"?
    Words Can't Speak
    Words Matter
    Workshops
    WOTY Dumpster Fire
    Writing
    Writing Our Experiences
    You Know You're Old When

    RSS Feed

Copyright Amy Devitt © 2018
  • Home
  • About
  • CV and Resume
  • Publications
    • Books
    • Articles and Essays
    • Talks, Seminars, Workshops
    • Occasional Pieces
  • Genre-Colored Glasses