Amy Devitt
  • Home
  • About
  • CV and Resume
  • Publications
    • Books
    • Articles and Essays
    • Talks, Seminars, Workshops
    • Occasional Pieces
  • Genre-Colored Glasses

Genre-colored glasses

Thoughts on genre, language, grammar, and other
rhetorical and linguistic norms

What a Syllabus Does--and for (to) whom

8/14/2016

3 Comments

 
Picture
What does a syllabus do? And for (or to) whom?
 
Search syllabus on Twitter and you'll likely find #thelemonadesyllabus, a checklist of readings by African-American women, or #Ferguson Syllabus, #BlackLivesCDNSyllabus, #OrlandoSyllabus--all crowd-sourced reading lists for self-education on important topics.

The syllabuses handed out in classrooms on the first day also contain reading lists (in fact, lists of lecture topics were the first academic syllabuses), but those classroom syllabuses contain so much more--office hours, course descriptions, learning objectives, assignments, grade breakdowns, attendance policies and late paper policies and participation policies and plagiarism policies and cell phone policies and more policies.

Why?

Because of their situation--written by a teacher, read by students, in a classroom within an academic institution. And that makes all the difference.
​
In last week’s post, I sketched the surface of how syllabuses reflect and reveal some assumptions about who matters and who gets to say what matters. I focused mostly on the roles of the teacher and student within the class.
 
But the story is a lot more complicated than that. Who else writes and reads syllabuses, and why? And how does that show up in the documents? Big questions, all, so I’ll just share a few situations that show some complexities. Those of us who teach probably know this, but I wonder whether we pay enough attention.
 
Who gets to say what’s included in a syllabus? Not the students, as I pointed out last week, but also not just the teacher.
 
Syllabuses can become enmeshed in fights between faculty and administrators. Recently, one faculty member was suspended (and then retired) because he didn’t include adequate learning outcomes on his syllabus. His chair and later his dean said that the accrediting agency required learning outcomes to be on every syllabus, something that agency denied in the Inside Higher Ed article about it. The professor argued that the faculty code, not administrators’ requests, determines what goes in his syllabus.
 
That professor’s resistance made the news, but part-time faculty and adjunct instructors frequently have the content of their syllabuses dictated to them. Shelley Manis, in a comment on this blog, points out that many adjuncts couldn’t construct an alternative syllabus like the one I showed last week. Instead, they have to follow their program’s mandate.
 
In my own first years as a Graduate Teaching Assistant—and my first years as an administrator of a writing program—GTAs followed a “common syllabus,” one designed by a professor in Rhetoric and Composition for all teachers new to the program to follow. That dictated syllabus met with some resistance and some relief (I was relieved, as a brand new teacher; a bit resistant, as a brand new administrator). Either way, it worked to bring all teachers into line with a program and its values, goals, and methods. But these teachers are in less powerful positions than the professor. They didn't file lawsuits objecting to administrators dictating their syllabus content. (Please tell me, readers, if you know of cases.)
 
Even full-time professors often forget to notice how much of a syllabus comes from the institution’s or program’s expectations. The Faculty Rules at my own institution specify that 
​Information about the basis for evaluating students' performance and about the requirements that students must fulfill shall be made available to students, in print or electronic format by the 10th class day of the semester” 
​Does that regulation dictate what appears in my syllabus? Sure sounds like it, even without naming the genre. In fact, my department’s written expectations for faculty specify even the genre--that this information (and more) must be distributed in a syllabus.
 
So the teacher may dictate much to the student in a syllabus, but the institution dictates to the teacher as well.
 
Does dictating the syllabus content dictate what the syllabus does?
 
Not necessarily, not completely, and maybe not at all. The content is only a trace, a signal of what the syllabus does.
 
Like all genres (says the genre preacher), the syllabus is about more than what it contains. The syllabus is about what it does. And a syllabus (like most genres, says the genre preacher) does many things at once.
  • It introduces students to the teacher and the teacher’s class
  • It sets expectations for both teacher and students
  • It provides students with information
  • It positions the course within the program and institution
  • It documents required institutional assessment criteria
Picture
image Austin Kleon But wait, there's more!  flickr
​The syllabus does something else that is huge.
  • It serves as a contract between the teacher and the student
Or does it?

When I was the writing program administrator at my school, I heard complaints from students when they thought teachers didn’t follow the policies laid out in their syllabuses, especially grade complaints. The upper-level administrators who reviewed those cases consistently looked to the syllabus as what teachers were bound to follow. And I consistently advised teachers that, if they went against what they’d written on a syllabus, they were risking a grade complaint.
 
Does the syllabus make a contractual agreement? Looking at the content of syllabuses can't answer that question because it's a question about what syllabuses do, not what they say.
​
​The wording at my own institution says yes and no. The university regulations carefully specify that it does not constitute a contract; the department rules says that it does.
​this information should not be considered a contract; the information may be revised as the course progresses, provided students are given timely notice of such revisions.”
​The syllabus serves as a contract between teacher and student, so it is important that expectations and policies be clearly outlined (a clear syllabus is the best defense in cases of grade appeals or other grievances, for example).”
​In a recent column on “The Syllabus as a Contract,” Amber Comer describes the professor “forced to act as prosecutor, judge, and jury” in the syllabus, and she offers advice to teachers about how to protect against “clever” students who find loopholes in that syllabus contract. Not roles I want for myself or my great students.
 
But that image of "clever" students looking for loopholes suggests that students read the syllabus, and read it carefully. Some writers claim that, if the syllabus is a contract, it might be more like those Terms we click Agree to whenever a new software version installs—one few people read. Kali Slaymaker on College Raptor says that many students “disregard” the syllabus, and Kevin Gannon in a recent Chronicle column "The Absolute Worst Way to Start the Semester"  (filled with good advice, including not to focus the first class day on the syllabus)  advises teachers who give quizzes to give a quiz on the syllabus within the first week to ensure that students read it.

​In my experience, students do read the syllabus in class that first day, even if many do go straight for the grading requirements. The syllabus does make a difference in how it shapes students toward the instructor’s and institution’s values and expectations. That's a big part of what a syllabus does.

But the syllabus also makes a difference in how it shapes instructors toward the institution’s values and expectations. That's also what a syllabus does. And I wonder if we clever teachers are reading our syllabuses carefully, looking not for loopholes but for the ways our institutional settings are shaping what we do in our classrooms. Students aren’t the only ones being shaped unawares. Teachers, too, should pay attention.

Next week I'll look for a lighter topic with less preaching. It is still summer, after all.
3 Comments
Ashlee M link
11/22/2020 09:35:17 pm

Hi great reading your post

Reply
Alan P Marks
7/11/2022 11:39:19 am

I was happy to stumble across this post. I talk about the syllabus as a genre with my students in a class at UMaine (we also use your essay "Generalizing about Genre"). I may have to start directing them to this post for more thoughts on the subject.

I often get into the debate with students about whether or not a syllabus can be considered a contract and I argue that it is not for the simple reason that it does not require the agreement of the student**. That both parties agree to the details of a contract is a key component of the contract genre, and it missing from the syllabus. A student is bound by the syllabus whether they agree with it or not.

As far as whether the teacher is also bound by it, I would say that they are, but that still doesn't have to make it a "contract." I would categorize it more as a "disclosure" of what the course will be like and what the rules and procedures are. And since the teacher is disclosing those rules at the start of the course, they don't get to change them later on (though sometimes a syllabus might include language that certain things are "subject to change").

**Of course the counter-argument is that, by remaining in the course after receiving and reading the syllabus, there is a sort of "tacit" agreement. Whether or not that raises it to the level of a contract is certainly open to debate. But the fact that there are courses that students "have" to take often removes that option for the student.

Reply
Amy
7/11/2022 04:12:53 pm

I'm glad you found this post, Alan, and I'm glad you commented. I'm pleased that the piece still feels relevant.

You make a good point about contracts requiring two-party consent, I think, though I'm not a lawyer. I wonder how this relates to all those websites that say something like, "by continuing to use this site, you agree to follow our rules"? By staying in the course, are students implicitly agreeing to the syllabus stipulations? You're raising that complication in your note at the end. For many required courses, though, there might be other sections with different syllabus stipulations.

As your comment makes clear, it is an interesting rhetorical situation and interesting genre.

Since you stumbled on that post, I want to point out that I wrote another post that You or your students might be interested in that context, too: "Syllabus as Genre." It does more of a straight dive into analyzing the syllabus as a genre and what it reveals about who matters and who gets to say, mostly in terms of student and teacher instead of administration and higher-level control.
https://www.amydevitt.com/genre-colored-glasses/syllabus-as-genre

Thank you for taking the time to comment so thoughtfully, Alan. I am grateful.

Reply

Your comment will be posted after it is approved.


Leave a Reply.

    Author
    ​Amy Devitt

    I'm a genre-lover and language nerd who likes to write about the fascinating effects of genres (like grocery lists, blogs, and greeting cards, as well as mysteries and romances) on how we read and write and even live our lives. I also notice grammar a lot, both the "proper" kind and the fun kind, like grammar jokes.  For more, read my post on "What I Notice." I write this blog weekly to point out what I see and in hopes that you will tell me what you see, too. 

      Would you like to be notified when I publish a new post?

    Subscribe to Newsletter

    This website uses marketing and tracking technologies. Opting out of this will opt you out of all cookies, except for those needed to run the website. Note that some products may not work as well without tracking cookies.

    Opt Out of Cookies

    Archives

    June 2021
    August 2020
    July 2020
    December 2019
    August 2019
    June 2019
    May 2019
    April 2019
    January 2019
    November 2018
    October 2018
    September 2018
    August 2018
    July 2018
    June 2018
    May 2018
    April 2018
    March 2018
    February 2018
    January 2018
    December 2017
    November 2017
    October 2017
    September 2017
    August 2017
    July 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    August 2015

    Previous Posts

    All
    7 Words Not To Say
    Acceptance Speeches
    Acceptance Speech Formula
    Ads
    Alternative Truth
    Alternative Words
    Amy Schumer
    An Academic Learns To Blog
    Apologies
    April Fools' Day
    Bad Apologies
    Bad Public Apologies
    Basketball
    Birthdays
    Bits & Pieces
    Blogging
    Boxing Day
    Business As Usual
    Busted Brackets
    Can Words Kill?
    Categories
    Children's Genres
    Choosing A Response
    Commemorating 9/11
    Commencing Graduation
    Community
    Community And Genres
    Community And Quiet
    Condolences
    Distraction Genres
    Doing Hawaiian
    Email
    Essays
    Evils Done In The Name Of Categories
    Family Reunions
    Fandom
    Father's Day
    Flu
    Funeral
    Generic Responses
    Genre
    Genre In A Scholarly Way
    Genre Reactions
    Genres Are Us
    Genres Matter
    Genre Tripping
    Good (and Bad) Apologies
    Good Sentences
    Graduation
    Greetings
    Hallmark Christmas Movies
    Halloween
    Hearing Or Trial Or Brawl
    Hi Readers!
    Holiday Greeting Cards
    Holidays
    How To Birth A Blog
    How Words Reflect & Shape Us
    Hurricanes And US
    Inaugural Address
    Indigenous Music
    Insults
    It's A Genre
    It's What You Mean
    Jet Lagged
    Labor Day
    Labor Day Genres
    Language And Genre
    Libraries
    Library Genres
    Literary Genres
    Locker Room Talk
    Making Connections
    Mass Shootings
    Meaning
    Memorial Day
    Mom's Day Cards
    Mother's Day
    Music Genres And Innovations
    Native American Musicians
    Never Forget
    New Year
    Normalizing Hatred
    Once In A Lifetime
    Patient As Medical History
    POTUS Tweets
    Preparing For Solar Eclipse
    Presidents Day
    Pronouns
    Psychology-of-genre
    Retirement
    Rhetoric-matters
    Rhetoric Still Matters
    Scenes Of Writing
    Scholarly Writing
    Solar Eclipse
    Syllabus
    Thanks Giving
    Thank You
    They Becomes Official
    Top 6 New Year's Genres
    TV Genres
    TV Genres Part 2
    Twelve Genres Of Christmas
    Twitter
    Understand Genre In Two Pictures
    Vacation
    Vacation Post Card
    Veterans Day
    Visual Genres
    Vote
    What A Syllabus Does
    What Does Alt-right Mean
    What Is A Declaration?
    What I Write About
    What Voice Recognition Software Doesn't Recognize
    When I'm Sorry Doesn't Work
    Which English Language?
    Who Is Your "They"?
    Who Is Your "We"?
    Words Can't Speak
    Words Matter
    Workshops
    WOTY Dumpster Fire
    Writing
    Writing Our Experiences
    You Know You're Old When

    RSS Feed

Copyright Amy Devitt © 2018
  • Home
  • About
  • CV and Resume
  • Publications
    • Books
    • Articles and Essays
    • Talks, Seminars, Workshops
    • Occasional Pieces
  • Genre-Colored Glasses